Showing posts with label Poets of War. Show all posts
Showing posts with label Poets of War. Show all posts

Monday, 10 April 2017

Poem ~ Edward Thomas: The Road Taken - Tuesday, 10 April 1917 - Wednesday, 11 April 1917

Source: File: Company of Hut 35: Edward Thomas second row, second from left. See an original image at: <http://i.telegraph.co.uk/multimedia/archive/03319/thomas7_3319732b.jpg> [Accessed 10 April 2017]

When might a poet emerge from night?
As some day without date
Or significance - as a wind might push
Unpredictable weather;
As a sun that warms, or settling of frost.

Perhaps by challenging companionship
On long walks over long grass,
Reaching divergence of yellow wooded
Paths, where friends debate
In lost sunshine - a final step was taken.

Successful novelist, essayist and critic
Edward Thomas received
A friend’s poem by post - Robert Frost's
'The Road Not Taken,'
Pushed his friend along a new direction.

English Thomas had reacted to American
Friend Frost, to feel insulted.
This prompted the London born man into
Armed services; taking him
On a decisive path to join Artists Rifles.

July 1915's enlistment had broken
Any lingering indecision -
Despite marriage and middle aged,
Edward Thomas felt
Personal need to undertake his duty.

November 1916 - over many months
Of training had gained
Thomas' promotion, from Corporal's
Two bar chevron to take
Commission as Second Lieutenant.

By shrugged off indecisive creativity
Edward Thomas found
His path to poetry - then indirectly
Spoke of war, along
With a favored subject of countryside.

Evoking own deeper emotions, mostly
Written prior to stepping
Onto foreign soil, Thomas would reach
The borders of sleep,
And become lost within a deep forest.

A man's self struggle with love of both
Wife, children and pride
For country - Thomas continued to write
When finally he arrived
In France for 1917, then ready to fight.

As commissioned Second Lieutenant
With the Royal Garrison
Artillery, Thomas headed towards Arras.
This enigmatic man, despite
Success, carried depressive tendencies.

Historic legacy of phantoms had haunted
Thomas - old depression
Had led him to unsuccessful suicide trials -
But perhaps war gave
Him reason - he crumbled pinched earth.

By way of explanation of why he wanted
To fight, Thomas sought
An urgent transfer to the frontline - keen
Impatient to be shot at.
Suicidal or patriotic Thomas gained wish.

A new day dawned on Easter Monday,
9th April 1917 - destruction
Commenced the second battle of Arras.
Vimy Ridge under a heavy
Canadian attack, saw a dawn of shellfire.

A distance of some seven miles existed
Between Vimy and Arras -
An area where writer Second Lieutenant
Edward Thomas took duty,
Having spent relatively little time in France.

Then with 143 poems to his name, Thomas
Took a break - lack of caution
Perhaps, took him outside. Morning shells
Still fired, as he decided
To loiter, close beside a parapet for a smoke.

Such a place he had written about - where
Children ran along, as a path
That gave them a view below their feet.
If then there they would see
Their creator lingering to light-up his pipe.

As tobacco ignited he drew in the flame
With final breath, as some
Shell impacted close by - sending him
To the borders of sleep -
A concussive wave sped over his body.

The impact of the blast wave rocked
Vital organs; Edward
Thomas fell dead. Later Helen Thomas
Would read how there
Was no mark on her husband's body.

Such an official version had spared his 
Wife a little grief - though
Commanding officer Franklin Lushington,
Years later revealed how
Thomas had been shot through the chest.

by Jamie Mann.

Source: File: Edward Thomas Poet. Wikipedia. Available at: <https://en.wikipedia.org/wiki/Edward_Thomas_(poet)> [Accessed 10 April 2017]

Source: File: Edward Thomas (1878-1917), War Poets Association. Available at: <http://www.warpoets.org/poets/edward-thomas-1878-1917/> [Accessed 10 April 2017]

Source: File: Edward Thomas: an acute depressive who loved the English countryside. The Daily Telgrapgh. Available at: <http://www.telegraph.co.uk/culture/books/bookreviews/11628589/Edward-Thomas-an-acute-depressive-who-loved-the-English-countryside.html/> [Accessed 10 April 2017]

Mann, J., 2016. 100 years Ago - Poems by Jamie Mann. [letter] (Personal communication, 10 April 2017). 


#WW1 #WW1centenary #GreatWar #WW1poem #GreatWar #WW1centenary #worldwarone #worldwaroneremembered #WW1Poets 

Saturday, 1 April 2017

Poem ~ Gurney: Trench Songs - Sunday, 1 April 1917 - Monday, 2 April 1917


Impression sketch of Ivor Gurney composing music in a disused mortar trench by Jamie

With promising abilities as musician,
A scholarship for young Ivor Gurney
Gained his place at Royal College of music, under
The tutorship of Charles Villers Stanford;
Yet a talented student was unteachable.

A personality of dynamism had been
Tainted by mood swings - effects hurt
His abilities to study. By 1913 Gurney succumbed
To a mental breakdown; on recovery
He returned, enlisting at war's start.

Poet and composer Gurney would
Not let war defer his need to create
Music  - summer 1916, Private Ivor Gurney sought
A quiet place on the front, to find this
In some disused mortar trench.

Within his pocket was a likely copy
Of a poem, sent him by Marion Scott.
John Masefield's 'By a Biersides,' centred on subject
Of death - sitting in an open box
Of earth Gurney set out his music.

In the very setting of Masefield's
Words, Gurney envisioned a scene;
Evoking a classical romanticised image of a dead
Greek hero, over which an oration
Is pronounced by a poet priest.

'A sacred city built of marvellous
Earth - Life was lived nobly here
To give such beauty birth.' These very lines had
Possessed him - a reflection of true war,
A city of trenches and army of youth.

There young death might give birth
To beauty with poetry set to music -
For living is turned on its head, where death
Opens unknown doors, to suggest
There is grandeur in dying youth.

From sun that spilled over trooper
Gurney's shoulder into that trench
Mortar hole, lit up a square of earth-stained paper
On which he composed - after which
He posted to Royal College of music.

A soldier as poet, enabled the mind
Of composer translated by musicians
Hands - from dirt to sanitised congratulations
By Mr Montague Muir-Mackenzie for
All students who had gone to war.

An annual Royal College of Music
Meeting, heard Muir-Mackenzie's words
Praise songs on earth-stained paper, passed by some
Sensitive censor - two compositions
Played might have included Bierside.

The first of Gurney's war songs,
By simple ambition called for a big
Voice to translate emotion and the shifts of musical
Moods, to reflect the composers
Struggle for his love of battle.

by Jamie Mann.

Anon.,1917. Songs From The Trenches. The Daily Telegraph, [online] 30 March 1917. P.3. Col.3. Available at: <http://www.telegraph.co.uk/news/ww1-archive/12214420/Daily-Telegraph-March-30-1917.html> [Accessed: 01 April 2017].

Source: File: Teaching the Songs of Ivor Gurney: An Applied Studio Guide to the Utilization of Fourteen Songs. Available at: <https://etd.ohiolink.edu/!etd.send_file?accession=osu1448468099&disposition=inline> [Accessed 01 April 2017]

Source: File: The Songs of Gurney and Ireland. A talk given by Ian Venables to the Ivor Gurney Society on the 11th May 2000. Available at: <http://ianvenables.com/gurney/> [Accessed 01 April 2017]

Mann, J., 2016. 100 years Ago - Poems by Jamie Mann. [letter] (Personal communication, 01 April 2017). 



#WW1 #WW1centenary #GreatWar #WW1poem #GreatWar #WW1centenary #worldwarone #worldwaroneremembered #WW1poets

Monday, 16 January 2017

Poem ~ Owen: A Letter Home - Tuesday, 16 January 1917 - Sunday, 21 January 1917


Impression sketch of Wilfred Owen crawling towards advanced post  by Jamie

i
From Billet to canvas to cattle wagon,
Came stages of transportation -
Within twelve days of arrival Wilfred
Owen no longer had protection.

The rocking, sliding ride amid others,
Took them towards inevitability -
A mistletoe code home broke all rules
To spell S e r r e; a ghostly place.

West of there British trenches marked
An edge; reserve, support and front
Lines - foul conditions still being used -
A communication trench led him.

First sign of the front met Owen's eyes;
They likely waded in knee deep
Waters - poisoned rainwaters that glints
By sunlight, tarnished in decay.

Early January and deep winter held
Its promise of snow - snow that
Briefly alleviated the churned ground -
Its brief purity sucked down.

Lieutenant Wilfred Owen would later
Find time to describe the state
Of the front in a six paged letter home,
Sent to, 'My own sweet Mother.'

ii
Penned five days into his first arrival there
By subjective analysis the pressure
Of each stroke suggests Owen's tiredness,
Sensitivity and likely empathy.

Words set out with deep indents, whose
Characters stand upright - added
To here and there with thoughts or small
Words, struck in favour of others.

Wishes for freedom spaces words, along
With logical and practical character
By lack of slants, as each connected letter
Shows careful systematic decisions.

With i's whose dots often fly away
To the right, confirm this male
Writer’s imagination - ability topped
Of capital T suggested optimism.

Emotions of the man are portrayed
By choice of expressions -
Openly he is 'bitterly' disappointed
In not receiving her letters.

In honesty the officer informs his
Mother, no reason to deceive
How he had suffered 'seventh hell,'
Over the previous four days.

iii
Dante’s vision takes Wilfred Owen
Whose poet’s circles transport
Him to the seventh circle; made from
Three rings, first is the outermost.

On banks of boiling blood and fire are
Violent beings and murderers -
In the middle ring harpies feed on the
Vegetation formed by suicides.

There wild dogs tear to shred wasters -
The innermost ring are irreverents
Who stand on scolding sands beneath
Torrential, burning, hellish rains.

Such describes the state of the front
Where before Owen has been,
Beyond the very core of No Mans Land.
'I held an advanced post.'

In a singular parameter he is joined;
'We marched 3 miles a shelled
Road dissolved into a flooded trench,
Finally flattened into nothing.'

It was night as they aimed for the dug
Out in the midst of No Mans Land
Up and over the top into utter darkness,
That held no chance of light.

iV
In varieties of depth of up to five feet
Of mud, Owen at pains, describes
How this is no ordinary mud not even
Sloppy but a deep sucking clay.

By properties of an octopoda creature
Of mythology; an ability to suck
Anything down into doom - here men
Have been known to drown.

Some can only escape by discarding
Equipment, waders and even
Their clothes, in order to crawl from the
Slippery claws - many have fallen.

Relentlessly machine guns stuttered
With high explosives all around -
Yet the darkness seemed able to absorb
Any light, so no flare revealed them.

Blind men in a brail of a path, the party
Reached the dug out - each three
Quarters dead, there relieved observers.
Owens responsibility was not over.

In charge of other posts even further
Into hells depth, he found another
Advanced post - here he left bombers
To number 18; nearby were others.

V
Slight relief came as one junior officer
Took charge of those - the dug out
Where they stood was six feet, water
Though held the first two feet.

Air of a kind was contained in the four
Feet left - here forms of 25 men
Were squeezed together; short sentences
Conveyed Owen's abject misery.

Though only afternoon this was January.
Ten minutes dragged into an hour -
To say '50 hours that were the agony of my
Happy life'; bled despondency.

Water was still rising, as the Germans
Knew they were there and did
Not want them - German shells wailed
Through the dark as hells hounds.

Owen admitted to being on very edge
Of breaking point - he stared down
Into the water, almost to let himself drown.
Shelling faded as 6 p.m. struck hour.

At 150 yards lay yet another British post
That should take only sixty seconds
To walk; Owen waded, climbed, crawled
To take 30 minutes to reach.

Vi
The most danger came from friendly fire
Of machine guns behind - holding
To humor he compared them to Mary’s
Canary, who he could support more.

In plain horror the sentries, one of whom
He had not taken as his servant, were
Blown away - if taken the fellow would be
Alive; servants don't do sentry duty.

In safety Owen ordered the other sentries
Half way down the dug out stairs,
Under the intense bombardment - yet one
Lad blown down stairs was blinded.

To close with short sentences in effect
Of disjointed thoughts; 'I suppose
I am well, though the left platoon officer
In hospital completely exhausted.'

Perhaps like the officer that he relieved
Owen suffered a deeper shock;
The man left after 24 hours to abandon
3 Lewis guns for a court martial.

For honesty allowed Wilfred to declare
All this to Susan, as that place
Was the worst Manchester’s ever held -
He would never go back there.

Vii
By hurried last lines to complete sixth
Page, squeezed together by open
Half coded criticism, against a fellow
Distinguished countryman.

The shared Welsh ancestry of Lloyd
George, the Prime minister
Of the British war time government,
Whom this soldier cursed.

Though any leader might be par for
The course - he gave his mother
Allowance to pass on his experiences
To others, such as cousin Leslie.

Under the curious reference, 'Owen
Owen' to hint at the Medieval
Ruler, who led welsh revolt against
The English, in vain self-status.

Self consciously perhaps his intent
Always for a wider audience -
A letter, not just for his mother's gaze,
But to show others the truth.

His own eyes opened by the harsh
Reality and to contain a source
That would remain in Owen's mind
Of a sentry tumbling blind.

By Jamie Mann.

Source: File: Letter from Wilfred Owen to his mother on January 16 1917. Available at: <http://battlefieldtrip.wikispaces.com/Wilfred+Owen> [Accessed 16 January 2017]

Source: File: What does your handwriting say about you?. Available at: <http://www.dailymail.co.uk/sciencetech/article-2380858/What-does-handwriting-say-Study-finds-5-000-personality-traits-linked-write.html> [Accessed 16 January 2017]

Source: File: 9 Circles of Hell (Dante's Inferno). Available at: <http://historylists.org/art/9-circles-of-hell-dantes-inferno.html> [Accessed 16 January 2017]

Source: File: Owain Glyndŵr. Wikipedia. Available at: <https://en.wikipedia.org/wiki/Owain_Glyndŵr> [Accessed 16 January 2017]

Mann, J., 2016. 100 years Ago - Poems by Jamie Mann. [letter] (Personal communication, 16 January 2017). 


#WW1 #WW1centenary #GreatWar #WW1poem #GreatWar #WW1centenary #worldwarone #worldwaroneremembered #WW1WilfredOwen

Sunday, 1 January 2017

Poem ~ Owen: An Officer In France - Monday, 1 January 1917 - Friday 5 January 1917


Source: File: Second Lieutenant Wilfred Owen. See an original image at: <http://www.wilfredowen.org.uk/Biography> [Accessed 01 January 2017]

By December's despondent mood,
Second Lieutenant Wilfred Owen
Stayed in temporary residence; the
Queens Hotel Southport, Merseyside
Held little comfort for 1916's end.

A place poised on North Sea's edge
To funnel a cold northwest draft, did
Nothing to uplift Owen's mood - daily
Challenged by Major Melville's ways
Of continual dissatisfied manners.

Still on home duty Owen was fit and
Ready - while many resident officers
Wandering there wore gold stripes
On sleeves, to show there wounded
Status; frustrations pummelled Owen.

His application to join draft for Egypt
Had fallen through - once more Owen
Thought to join Royal Flying Corps,
But Colonel Ridge only humored him,
Not wanting to lose such an officer.

Yet sometimes what is really desired
Comes about, as papers evidenced.
To fade in years were adjutant typed
Notes; 11 December 1916, orders
Stated Wilfred Owen to go overseas.

Five days leave led him to Mahim -
Giving a chance to stay for Christmas.
With packed valise and preparations
Finished, Owen learned his company
Would be the Lancashire Fusiliers.

Another hotel - this time in Folkstone,
To be vaster and grander than the poky
Cold Queens hotel - though the journey
There involved a fright - from London
In the guards van Owen had dozed.

A goods wagon passing by suddenly
Lost part of it load, a timber rolled and
Smashed the roof of the guards van
Over Owen, like some omen - luckily
Safe, relief came by a Hotel's company.

The end of 1916 was spent in travel.
Finally Second Lieutenant Wilfred
Owen set foot on French ground - date
29 December at port of Calais - amid
The great machinery of British army.

France was no stranger to Owen,
Though he returned in a different
Guise from his days as a boy's tutor.
A train carried him along the coast
To the vast base camp of Etaples.

A transitory stop on way to trench
Line front that held German troops
At bay; Etaples camp, a last ditch
Intensified training for troops, which 
Initially Owen saw as a hotel camp.

Comforts of a helpful servant and
A tent of his own, Wilfred Owen
Experienced transition from 1916
To 1917 under canvas - as echoes
Of Scots celebrated their hogmanay.

Away from such celebrations other
Men about wore dogged expressions,
Like a cap badge - this was no place
For giving up - a cold dawn arose
On New Year's day's training routines.

Out in the field among the troopers,
Lieutenant Owen took part in acts
Of realism, to include throwing
Bombs - when a splinter from one
Cut his thumb; later he wrote home.

For the first time he wrote 1 January
1917, to tell of the wounded thumb
To spout blood - alas only a tiny drop.
Then to tell of a change from prior
Orders to join 2nd Manchester’s.

Owen admitted to be singled out,
Possibly a promising officer; to 
Be pleased to be among 'real-old'
Officers, his mood heightened -
He felt a swell of heroic emotions.

New Years day boosted Owen's
Excitement, which had always
Gave him sense of wellbeing -
Etaples possibly to assist that
Anticipation, like a train station.

The maximum stay he told his
Mother was three days, as he
Signed off to pack his valise,
Ready to travel to Manchester's
Base; little more than forty miles.

Wilfred Salter Owen had already
Travelled far from the teacher
And lost preacher ambitions -
As an army officer came new
Sets of rules and experiences.

By Jamie Mann.

Hibberd, D., 2002. Wilfred Owen – A New Biography. London. Weidenfeld & Nicolson. Ch 11.

Mann, J., 2016. 100 years Ago - Poems by Jamie Mann. [letter] (Personal communication, 01 January 2017). 


#WW1 #WW1centenary #GreatWar #WW1poem #GreatWar #WW1centenary #worldwarone #worldwaroneremembered #WW1WilfredOwen

Wednesday, 27 July 2016

Poem ~ Owen: The Image Of An Officer - Thursday, 27 July 1916


Source: File: Wilfred Owen 1916.  See an original image at: <http://www.borrowers.uga.edu/782958/show> [Accessed 27 July 2016]

Seven months, a long time through war,
As battles fought, lose with minimal gain;
With front line loss of numbers others
Are in manufacture of war, prepared.

With fingers stained from hated rifle oil,
One cadet Private Wilfred Owen made
Months of training as a trooper - days
Of barking drills punctuated by walks.

Escapism came by way of London, with
Monk-like fixation to good books and
Poetry - ambition always simmered, from
Ideas of poetry to release a creative mind.

Word experiments and the body always
Remained as some metaphor, aiming
At something higher than sensuality,
In preference for critics by friend Monro.

Through phases Wilfred Owen made
Reinventions of self; as a pale parish
Assistant to French dandy, to become
A disciplined soldier, as fit as his equals.

Change once again came, this time
June 1916 - discharged from Artists
Rifles to take an officers commission -
A second Lieutenant with Manchester’s.

Moving up ranks involved another
Rung, as he reported for duty - Witley
Camp in Surry was beautifully vast,
A culture shock with odd conventions.

The 3/5th Manchester’s were solid,
Earthy northern men - a lot of miners
Formed out of three unified units
Of mixed ages, Owen gained a platoon.

Consisting of four sections of ten men
Each led by corporal along with his
Servant scouts and a sergeant, Owen's
Role to train them for varied duties.

Working as a team, the four sections
Leant to attack and defend - to become
Proficient in rifle and bomb and
Lewis gun, as instructed by their officer.

Obsessed by three 'ings'; marching, 
Digging and killing - he saw these men
As ugly, hard, coarse Lancashire Saxons
Who would remain reliable under fire.

For majority leaving Witley camp was
Only possible with permission, except
Officers who had privileges - Lieutenant
Owen made his escape on a bicycle.

Away from camp and his role Owen
Very likely became more his old
Self - admirer of beauty of locality,
Lingering in shops of tea and books.

Sunday 2 July, leaning against his
Bike in survey of green countryside,  
He listened to mutterings in France;
Mutual guns battering their enemy.

Manchester’s had taken part within
The biggest push and Montauban
In the South had been captured by
Them - but the North had suffered.

As news of the Somme crept over,
Owen attended a course travelling
To Aldershot, showing an ability with
Rifle - yet he was to carry a revolver.

Acknowledgement of self-confirmation
As soldier in the Aldershot barracks,
Owen visited old ground of Dunsden -
His Pope and Bradley uniform noted.

In leave at Alpenrose Wilfred Owen
Became the subject of his Uncle John.
To pose in a camera studio full and half
Face, with and without his officer’s cap.

By natural light john Gunston chatted
To his nephew, whose image reflected
On the glass - 'that’s it my boy, slightly
More right, look towards me, sideways.'

A living form poised, colour of face
Hair and uniform captured with a click
Into tones of grey - 'another one please.'
Owen stood still, to enjoy the thought.

Unaware though how they would convey
Him into eternity. He changed position
Slightly under instruction, used to orders,
Taking a blink before the shutter took him.

Cool eyes under heavy lids, looked
Calmly askant and out to the watcher -
This was confirmation of ambition -
Owen was now a gentleman and officer.

By Jamie Mann.

Hibberd, D., 2002. Wilfred Owen – A New Biography. London. Weidenfeld & Nicolson. Ch 11.

Mann, J., 2016. 100 years Ago - Poems by Jamie Mann. [letter] (Personal communication, 27 July 2016). 


#WW1 #WW1centenary #GreatWar #WW1poem #GreatWar #WW1centenary #worldwarone #worldwaroneremembered #WW1WilfredOwen